Those 60 images collected in the piece of work Time Reading, are from the archives of American Intelligence Agencies on the Southern Cone countries of Latin America. The condition, in which these images appear in intelligence secret documents, sometimes makes them unveil facts from the 70’s and the 80’s. These object images reveal the secret […]
The piece synthesizes the relationship between utopian political projects and their dystopian future, revealed in the declassification of American secret files. This gallery of Latin American political leaders running public positions as presidents, president candidates, archbishops, senators, deputies, commanders-in-chief, and ministers, who were assassinated or ended up tragically dead during the past 60 years of […]
From a distance, False Flag’s photographs show us a series of buildings, the gray concrete urban blocks characteristic of overcrowding in big cities. A magnifying glass next to them invites us to get closer and discover that they are volumes of movable type organized, perhaps, to print a text, even though we are unable to […]
If in False Flag the cities of letters were clearly separated from their surroundings, in De las ruinas y letras, these cities have been assimilated into the structure of the gallery, becoming matter and losing all linguistic meaning in their transformation. This piece alludes to the volume of texts that make up the secret archives, […]
The pieces that make up this series underline the secret and the lie from a trio of material operations. Utopia 1 presents the naked typeface of a mechanical typewriter attached through tensioned cables to two sets of papers whose surfaces have been subjected by the artist to the physical abuse-sanding and erasing characteristic, but amplified, […]
The operations of seventy-two secret armies have infected twelve European countries with their terror. Their acronyms and codes engraved on fourteen steel plates instead infect the gallery wall during Waking State.