This work consisted of transforming a photographic sequence of a woman with a hysterical attack (19th century) into stamps.

From them, I formed a vertical and organic stain on the wall, producing the image of a swarm of hysterical figures superimposed on each other, which generated different densities of black, gray, and white, due to the plot.

On the adjoining wall I arranged a series of small models of mediaguas (shacks), with a projected shadow. Both elements were joined when passing the bells from one wall to the other.