In 1994, presents the Mural Painting / El sitio de Rancagua [The Rancagua Siege]. Also participates in the following biennales: 1996 Habana-Cuba Biennale, “El individuo y su Memoria” with the artwork Santiago- La Habana- Wastelands Series; 2003 Shanghai – China Biennale with N11 Project; 2011 8th Mercosur Biennale, “Geopoéticas”, with the Non-History, and the 12th Istambul Biennale, “Untitled”, with the work the No history’s Library. In 2014 participates in the 31st São Paulo Biennale, “Como… coisas que nâo existem”, with the works Histórias de Aprendizajem [Learning Histories] which itinerates at the Serralves Museun at Porto-Portugal in 2015. In 2018, participates in the 12th Shanghai Biennale, “Proregress”, curated by Cuauhtémoc Medina, with the piece Monumental.

Among the most outstanding international solo exhibitions are: 1996 Out of Frame, Gate Foundation, Amsterdam-Holland. In 2000, presented the exhibition First Person Plural at Canvas International Art Gallery, Amsterdam, Netherlands. In both, she develops her research around the city, the wastelands as a metaphor for the erased history in the cities and the collective identity. In 2006, she received the “Young Art Award”, from the Museum of Visual Arts of Santiago. Later, in 2008, she received the “Prize of the Circle of Art Critics of Santiago” for the work Plaga [Plague], which conceptualizes the language of hysteria and ends with the presentation of the work L ́Effect Charcot, at the Maison de l ́Amerique Latine, in 2010. In 2011 she developed the work La biblioteca de la No-Historia [No History’s Library], where she works with the declassified files on Chile from the US Intelligence agencies and then on Latin America. This work has been presented between 2011 and 2016, with different formulations, at the KunstMuseum in Bern-Switzerland, in Istanbul-Turkey, in Toulouse-France, at MigrosMuseum in Zürich, Switzerland and in Porto Alegre-Brazil.