If in False Flag the cities of letters were clearly separated from their surroundings, in De las ruinas y letras, these cities have been assimilated into the structure of the gallery, becoming matter and losing all linguistic meaning in their transformation. This piece alludes to the volume of texts that make up the secret archives, documents that are at the same time exhaustive, voluminous, and deliberately confusing, while at the same time alluding to the idea of ruins and the archive as an anthropological object rather than as documentary evidence.